across the continental United States and Canada mainly by railroad to gather information on Japanese gardens in North America to benefit Lili`uokalani Gardens in Hilo, Hawai`i
Martha Turnbull, Rosedown Plantation, painted by Thomas Sully in the 1850s. This image is from Wikimedia Commons. More information on the image is available at http://en.wikipedia.org/wiki/File:Martha_Turnbull.jpg
In the midst of touring, photographing and writing about Japanese gardens, Bill and I were given a quick tour of several plantation properties in St. Francisville. Rosedown Plantation deserves mention in this blog as it was among the earliest sites of the introduction and popularization of azaleas and camellias and many other plants we associate with Japanese gardens.
According to a new book, The Garden Diary of Martha Turnbull Mistress of Rosedown Plantation edited and annotated by Suzanne Turner, plants introduced to the area included azalea, camellia, osmanthus, cryptomeria japonica, pittosporum tobira, Japanese quince, Japanese wisteria, and Japanese sweetflag among others.
Martha and her husband Daniel Turnbulls honeymooned in Europe touring the great formal gardens of France and Italy and their influence is still seen at Rosedown. The gardens grew out from the house over a span of many decades, to cover approximately 28 acres. In the 19th century, Rosedown was one of the few privately maintained formal gardens in the United States. Martha Turnbull made purchases from nursery catalogs from the Midwest and East. Plants arrived by river, ocean, railroad and wagon.Invoices indicate azalea and camellia were purchased in 1837 from a nursery on Long Island. During the Depression, Turnbull’s descendants maintained a small nursery at Rosedown, propagating azalea and camellia plants for sale.
Mac Griswold, landscape historian and author of Washington’s Gardens at Mount Vernon, calls Martha Turnbull “the greatest hands-on gardener of the Deep South.”
Her terse garden journal, cryptic to the point of code, covers the years 1836 to 1894. For 15 years, author Suzanne Turner edited and annotated Turnbull’s garden diary. Turner is LSU professor of landscape architecture emerita and owner of a landscape architecture firm in Baton Rouge.
“When I was teaching at LSU, women kept asking me to give talks on 19th century gardens,” Turner said. “Diaries and journals are rare other than financial records on cotton and sugar cane.”
“She propagated camellias, hedges, roses and evergreen stuff,” Turner said. “She saved vegetable and annual seed. It seems she had a greenhouse from the outset.”
The National Park Service maintains a web site with a National Register of Historic Places. Its travel itinerary notes that Rosedown Plantation was established in the 1830s by Daniel and Martha Barrow Turnbull. Once encompassing 3,455 acres, “Rosedown Plantation is one of the most intact, documented examples of a domestic plantation complex in the South. It embodies the lifestyle of the antebellum South’s wealthiest planters in a way very few other surviving properties can. The plantation’s landscape is a laboratory for the study and interpretation of the cultural traditions of slavery, the life style of the gentry and scientific experiments in agriculture and horticulture,” according to the NPS web site.
“At its height, the plantation encompassed 3,455 acres, and included the typical components of cotton plantations of the mid-antebellum period in the South–agricultural acreage planted with the cash crop, fields of fodder crops, pastureland for cattle, stables for horses, yards and pens for poultry and other farm animals, the quarters of enslaved Africans (where they typically had their own individual garden plots), a kitchen garden, an orchard, and the pleasure, or ornamental, gardens adjacent to the main plantation house, or the “Great House.” Over the years the acreage was subdivided and although the working portions of the plantation have vanished, both the house and the gardens survive. The c.1835 Federal-Greek revival style great house, complete with Grecian style wings c.1845, is at the head of a 660-foot long oak allee. It is typical of the small minority of great houses built by the South’s wealthiest planters.
the entry allee lined with live oak trees today
“What distinguishes the landscape of Rosedown are its pleasure gardens, notable for their size, sophistication and refined plant collections. The gardens were the passion of Martha Turnbull and her garden diary provides invaluable insight into the story of the garden’s planting and management. She recorded her first entry in 1836 and her last in 1895, a year before her death at the age of 87.”
The Louisiana Office of State Parks owns and operates Rosedown Plantation as a historic site for the purposes of education and preservation. For more information, see http://www.nps.gov/nr/travel/louisiana/ros.htm
Hydrangeas planted in great drifts form an edge between wilder brush and the huge live oak trees lining the front entrance.
The new publication on Rosedown Plantation is available through your local bookstore, at Rosedown Plantation’s gift shop or on-line from a number of vendors.
A post script:
Stark Young’s 1934 novel — wildly popular before Gone With The Wind — opens with a description of the fictional Portobello Plantation, which was based on Rosedown Plantation. Young was a New York Herald Tribune theatre critic who became friends with the sisters who inherited Rosedown.
“Along the avenue the light struck here and there on the statues with their marble pedestals, and on the walks with their green borders; and at the far end you saw the house, on which the last glow of twilight rested, standing out among the garden trees…a retreat, a lovely and secret place, strangely for man and domestic at the same time…the product of romantic feeling and thought.”
Walter Imahara in the conference center surrounded by his father’s poetry carved on cypress wood. (photo by Bill F. Eger)
In retirement, some begin an “encore” career, others volunteer in a field of personal interest and others put time and effort into achieving a life-long dream. With his 54-acre botanical garden in St. Francisville, Louisiana, Walter Imahara is doing all three.
I first learned of Imahara from a family member who was his classmate in Baton Rouge at Istrouma High School in 1955.
“You’ve got to see what he’s doing,” our cousin insisted, when we told her we were coming to New Orleans. So, on Friday June 1, my husband Bill and I drove to Baton Rouge, picked her up and continued on to St. Francisville where we met a vibrant and fascinating family.
Imahara family history
Walter’s parents, James and Haruka Imahara were among several “Cajun Nikkei” – Japanese American settlers in the New Orleans area following release from a World War II internment camp in Arkansas. Born in 1903 in Watsonville, California, James was the son of immigrants from Hiroshima. In California the family owned farm land and raised strawberries, grapes, and fruit trees.
In 1941, James was in his Model T when he heard of the attack on Pearl Harbor, an event that altered the lives of every American. “My family lost everything, including the family home and farm we worked so hard for 20 years to improve only to get locked into concentration camps for more than three years,” he said in his later years.
As son Walter remembers it, “From May 1942 to 1945, we were relocated to Fresno Assembly Center in California and then to camps in Jerome and Rohwer, Arkansas. After the war, Pop moved his family of 10 to Louisiana to start a new life.”
James worked for a nursery business in New Orleans propagating houseplants and raising vegetables on the side that were sold Villa in St. at the French Market. Within a few years, he was hired by the owners of Afton Villa to restore gardens in St. Francisville and then moved to Baton Rouge to begin his own business.
In a book about their family, Family Dreams, Journey of the Sansei, author Diane Koos Gentry recounts the Imahara story, gathered in interviews over 20 years. Many of the quotes that follow are from this book. Copies are available from Imahara’s Botanical Garden.
Family Dreams: Journey of the Sansei was written by Diane Koos Gentry and copyright 2008 by Walter Imahara.
When working at Afton Villa, “James drove all the way to Mobile to buy Japanese cherry trees for the grounds. ‘When they were in bloom, there is nothing more beautiful,’ James said. ‘But when their time comes, all the blooms drop. It’s symbolic. The Japanese way is to forgive without a grudge. Afton Villa made me start forgetting the days of internment and our losses. It’s all over with now. I don’t feel any bitterness at all.’
“Restoring the gardens of a well-known and much loved historic home in a place like St. Francisville, which is known for its lovely homes and plantations, is a great accomplishment in the South. The name Imahara became associated with horticulture and landscape design.”
Baton Rouge and the beginning of Imahara’s Landscape
When restoration at Ashton Villa was complete, the family moved back to Baton Rouge where James took a job at a nursery then started James’ Gardening Service.
“For the most part, it was just me and Mama,” said the elder Imahara in the Family Dreams book. “Mama was the backbone of all our business. The kids were in school. We started with a wheelbarrow, a broken-down pickup, a hoe and a shovel and, of course, my pruning shears.”
Walter chose a major in horticulture at the University of Southwest Louisiana at Lafayette where he discovered another passion in his life: weightlifting where he is described as being a fierce competitor and national champion.
As the 1950s drew to a close, James Imahara received a small percentage of his requested claim for compensation on the loss of California property and farm land during World War II. That settlement was enough to purchase several acres and a home in Baton Rouge.
James and Haruka began planting grass to sell sod. “Baton Rouge was growing and prospering as the Imaharas were starting their mom and pop business. Growth meant new subdivisions to landscape,” Gentry writes.
James was able to purchase a greenhouse from his former employer at Afton Villa. The couple propagated their own stock. The business grew as they waited for Walter with his degree in horticulture to come home. The year he graduated, 1960, the Army sent him to Germany for three years.
“My father always told us, ‘Get an education, serve your country and buy land.’ Service in the military was expected of his sons,” Walter said. The year he graduated, 1960, the Army sent him to Germany for three years. Walter enlisted as a private, went to officer candidate school and came out a first lieutenant.
In Germany, Walter met Sumi Matsumoto, an elementary school teacher from Berkeley, California. Sumi and her parents had been interned in Arizona. In 1963 they were married in Munich. When it was time to leave Germany, they moved home to Louisiana. The day we visited, Walter and Sumi celebrated 49 years of marriage.
Pelican State Nursery
Walter joined his parents’ enterprise on the eight and one-half acres they owned, which was renamed Pelican State Nursery. Walter added three more greenhouses and assembled them on the property making 10,000 square feet of greenhouses and worked to grow small plants and vegetables, wholesale and retail.
“James also grew specimen plants one couldn’t find anywhere else like large junipers and topiary trees.” By 1968, Imahara’s included a retail garden center and landscape business.
“This garden center was distinctly Japanese, both in design and operation. James carved the name Imahara’s in Japanese characters on a huge cypress board. Walter and [his brother-in-law] Sam hung the sign on a tall wooden archway that marked the front entrance. Behind the entrance, decorative vertical wooden boards lined the front of the building, adding to the simple but beautiful Japanese design.”
James Imahara at age 86 when he likened his life to Daruma — “we may get knocked down seven times, but we get up eight times.”
Modernization
Walter sold the landscaping location in 1984 and built a second more modern garden center on Perkins Road in Baton Rouge. The old location was 5,000 square feet. The garden center on Perkins Road totaled 17,500 square feet. In addition, there was enough land to build 35,000 square feet of retail space in the future.
The new garden center was designed to Walter’s specifications with concrete walkways and an automated sprinkler system. Such innovations reduced labor costs and maximized profit. His leadership extended to nursery and landscape associations such as the Baton Rouge Nursery and Landscape Association, the Louisiana Association of Nurserymen, the State Horticultural Commission, the Southern Nurserymen Association and the National Landscape Association and in 2002 Walter was named to the National Landscape Association Hall of Fame in Louisville, Kentucky.
All was not peaches and cream. Shortly after the new center opened, Walter’s sister May was diagnosed with lung cancer. Within three months, the financial stalwart of the company was dead. For the next few years, Walter tried to coax family members into joining the firm. Niece Wanda, is sister Lilly’s daughter, had completed the five-year landscape architecture program at LSU and was working at a high paying job in Washington DC.
Three Generations of Landscaping
“Though it may not have been evident to either of them at first, Walter and Wanda, who had very different personalities in 1987 and clashed frequently, proved to be ideal partners in the landscape company. Each had individual strengths and talents and complemented the other, forging a stronger business,” Gentry writes.
“The first big commercial landscaping project Wanda tackled was the new Blue Cross/Blue Shield headquarters in Baton Rouge. ‘I saw the building nearing completion and talked to Uncle Walt,’ Wanda remembered. ‘Imahara’s had not put in a bid. I called and asked for the opportunity to bid on landscaping the building inside and out.
‘Uncle Walt and I stayed in the office until 7 or 8 p.m. working together until I could draw the plan and put prices to it. The secret to securing the job you design is using plant material that is readily available to you, the best looking plants that will continue to look good as they grow and mature. Uncle Walt and Grandpa both told me to work hard and be honest, and that would make me successful. Part of being honest is not to put in plant material that will cost a client an arm and a leg or material that will freeze and die in the winter. We believe in spending [a client’s] money wisely by using plants that are native to this area’.”
Wanda’s enthusiasm, drive and creativity added maintenance contracts on the larger commercial projects they installed to provide a more steady income stream and to provide service to those customers.
Imahara’s Botanical Garden
“An active man like Walter Imahara never retires; he just stops coming in to work every day.”
Walt handed over the reins of the landscape enterprises to Wanda and kept busy with real estate ventures. A long-time dream to own property in St. Francisville came true with the purchase of their second home on 15 acres in 2001, which he landscaped with camellias, azaleas, cherry trees, crepe myrtle, many varieties of magnolia and holly, weeping yupon and yew, palms, crab apples and weeping mulberries, among others. The entire residential property is served by irrigation and every plant is labeled.
Another dream is three years along the path to realization. Walter bought 54 acres on Mahoney Road in St. Francisville and spent a great deal of time clearing wilderness, rutted by Mississippi River floods and erosion.
Walter Imahara gestures across the camellia collection toward sugi pines planted on the far gully.
Three days a week, Walter and two workers planted a hundred or more plants a day. To minimize erosion, centipede grass sod was installed plus tree logs and treated poles are used to edge beds and create a terraced effect. Three year old camellias are starting to fill in along the edges of the forest. Two and a half year old ginkgo trees, three-gallon pots when planted, are now taller than I am. The years of landscape experience are bearing fruit in this infant garden – all the beds are prepared to receive and nourish plants. Garden materials were planted in groups of threes and fives. “The landscape was designed by sight so that a great view can be seen from anywhere in the garden. A 225-foor deep well, with a four-inch pipe installed, provides substantial volume and pressure to allow as many as 10 sprinklers to run at once,” according to a garden flyer.
Three of nine connecting ponds are visible in the distance — one pond for each child of James and Haruka Imahara.
In the camellia garden, varieties include Funny Face Betty, Gunsmoke, Purple Dawn, Royal Velvet, and more than 90 other cultivars. More than 3,000 azaleas are planted, some to eventually develop into a huge karikomi on one hillside. Varieties include Judge Solomon, G.G. Gerbing, George Tabor and the Encore series.
Collections of magnolias, weeping trees, hollies, maples, purple leaf plums, crape myrtle and a stand of Cryptomeria japonica (Sugi pine) are among other major plantings. Nine connecting ponds have been installed, one for each child born to James and Haruka Imahara.
The Japanese garden “is still in the thought stage,” Walter said. He’s collecting stone and is pulling together ideas from his and his wife Sumi’s travels. “You have to come back in two or three years and see what it looks like then!”
“Come back …” Oh yes, I want to see this garden as it grows and matures.
Already the area includes a conference center, snack shop and gift store along with equipment storage buildings. The conference center holds a collection of James Masaru Imahara’s poetry carved on cypress boards. “For a long time, we were curious about dad’s hobby,” said Lily. “Now we realize this is his legacy. We know who we are and where we came from.”
For more information on Imahara’s Botanical Garden, visit their blog site imaharasbotanicalgarden.blogspot.com or to schedule a tour or special event, contact them at imaharas@aol.com or (225) 635-6001. The mailing address is P. O. Box 605 St. Francisville, LA 70775.
Thank you Wanda and Walter for your hospitality and thank you cousin Ruby for bringing us together.
Wanda, Walter and Ruby enjoying the tour of nearby plantation properties. What a wonderful visit to St. Francisville!
Active in the Jerome and Rohwer internment camp reunion groups, Walter recently released several YouTube videos on the family, their experience, their resilience, their businesses, and the current status of Imahara’s Botanical Garden. Here is one:
Stone arrangements in Long Life Lake were done by Masaji Morai. A grove of black bamboo is visible to the left of the bridge. To the right of the bridge is a large lantern, a gift from Hitachi in 1985
From the web site of the Birmingham Botanical Garden:
“Officially opened by the Japanese Ambassador to the United States in 1967, this 7.5-acre site is actually an interwoven collection of gardens built in the Japanese style, replete with traditional architectural and garden elements. Here you can find the tea garden, the karesansui garden with its meditative compositions of boulders set amidst a bed of raked gravel, the hill and stream garden* with features such as the Seven Virtues Waterfall, and the small stroll garden set around Long Life Lake. Casual visitors will want to study the colorful koi, relax in the lakeside rest shelter, or take a class at the cultural pavilion. Plant lovers will enjoy exploring bamboo groves, examining our growing collection of momiji – the Japanese maples – and seeing prehistoric dawn redwoods.
“Designed by Mr. Masaji “Buffy” Morai, the Japanese Gardens officially opened in 1967 and have been one of BBG’s most popular features since then. Largely through the hard work and guidance of volunteer Doug Moore, major modifications to a large part of the gardens were finalized in 1993 when the Japanese government gave it the title of Japanese Cultural Center. That important designation was made because Mr. Kazunori Tago, of Maibashi, Japan, one of the finest miyadaiku, or Japanese temple and shrine builders, created a traditional tea house here. Toshinan, whose name means, “the house where those gathered can light a wick [of understanding] in each others’ hearts”, is a 16th-century Sukiya-style tea house, made completely from materials brought from Japan and built using only traditional tools and techniques. There are fewer than a dozen such structures in the United States, and none are finer than Toshinan. An adjacent yoritsuki, or waiting hut, was also designed and built by Tago-san, completing the tea garden structures. Materials were donated by the citizens of Maibashi and additional funding was provided by the Shades Valley Council of Garden Clubs and Gardens of Inverness; the yoritsuki was dedicated in honor of Eva Woodin Gambrell. Members of the Japanese Garden Society of Alabama assist with maintenance of the tea house and in cultural and educational programming.
“The Japanese Gardens are entered through a spectacular curved-top torii, or “gate to heaven”, painted a traditional bright red. This area was renovated and the master plan updated in 1988 through funds given by the Drummond Company in memory of Elza Stewart Drummond. Down the path from the torii, a tile-capped mud wall is punctuated by the entrance to the Cultural Center: the Taylor Gate, given by Dr. Wendell Taylor, with its heavy, yet intricately joined, wooden timbers. Across the stream from the tea house sits the Japanese Cultural Pavilion, which is based on the design of a rural Japanese theater. Three sides of the pavilion are removable, facilitating seasonal open air activities like classes such as sushi-making, performances such as martial arts demonstrations, and many other aspects of Japanese culture.
“A recent update of the master plan for the Japanese Gardens was completed by Zen Associates of Sudbury, Massachusetts. The firm’s principal landscape architects, Shinichiro Abe and Peter White, have an intimate knowledge of Japanese garden design and construction, and as their company’s name suggests, it is their sole specialty.”
The new View Receiving bridge designed by Zen Associates will accommodate maintenance vehicles and is barrier free. It spans the water course, dry for several years, which is on the list for repair. The bridge marks a transition from a more tightly planted area to more open plantings.
New beds of azalea are being installed as part of that master plan. Renovations and repairs are planned throughout with perhaps the largest efforts being restoration of the watercourse and the addition of an ampitheatre behind the cultural center. New maples are being added and a walkway through the bamboo thicket is planned.
Pink hydrangea were in bloom beyond the View Receiving bridge.
The Birmingham Botanical Garden comprises 67.5 acres, 7.5 of which are the Japanese garden. The BBG is owned by the city which has an agreement with the Friends. The City handles outside reservations such as weddings. The Friends organization handles education, fundraising, capital improvements, and special events. BBG has the nation’s largest public horticulture library. The garden is open free to the public all year long.
For more on the Birmingham Botanical Garden, visit their web site:
New varieties of maple are going in on the far side of the lake.
Many thanks to Fred Spicer Jr. for the “grand tour” via golf cart and for the wealth of information shared.
When you visit this garden, be sure to stop in Leaf and Petal, the shop at the entry, for a wide variety of art, crafts, garden items and plants. There’s always news about garden tours and classes available there and on the web site.
This information comes from Amanda Campbell, horticulturist at the Atlanta Botanical Garden.
“In the 1960s the Atlanta Bonsai Society began a Japanese Garden which was largely a collection of bonsai plants. It was a charming and restful little garden, but it was eventually vandalized and the bonsai were stolen, so the Bonsai Society gave it up. In 1980 the Japanese Garden was restored as part of the Atlanta Botanical Garden. Initially the Japanese Garden had no water, and white sand was used to form “pools”. In a 1984 renovation, water replaced the sand. In 1996-97 the garden was renovated once again by a generous gift made possible by the Bonsai Society, the Cherokee Garden Club, the Ivy Garden Club and Mrs. Ferst. The structures, including the stone wall, were designed and constructed by Toshihiro Sahara.
“The design combines several styles of traditional Japanese gardens, including elements of a hill-and-pond garden, courtyard garden and tea garden. The chozubachi stone basin is used in a purification ritual before the tea ceremony. It is placed on the ground so that one must crouch over it to rinse the hands and mouth, therefore humbling and clearing the mind. The machiai (pronounced mah-chee-eye) or tea garden waiting bench is a place to rest, reflect, and enjoy the garden.
“The Japanese Garden is basically a monochromatic garden; nearly everything is green, with variation of texture and shading. Color is used sparingly to highlight seasonal change – irises and azaleas bloom in spring, maples change color and drop their leaves in the fall. However most of plants used are evergreen. Reverence of nature is the guiding philosophy in Japanese gardening. The main garden primarily contains plants from Japan, while the surrounding gardens highlight interesting plants from all over Asia.
A sweetly subtle way to acknowledge a donor — the name is inscribed on a stepping stone leading to the machiai.
“A collection of harp-string nandinas, or kinshi nanten, were added during the 1997 renovation. These rare cultivars were popular in Japan from the 1600s to the 1800s. Also of interest are a number of dwarf conifers and Japanese maples. The large pine tree is a Virginia scrub pine, Pinus virginiana. It is planted and trimmed to give the appearance of great age. Other noteworthy trees include the weeping Japanese persimmon, Diospyros kaki, in the corner, the Stewartia monadelpha against the fence, and the weeping Japanese snowbell, Styrax japonica, next to the east gate. On the right are two groupings of Equisetum hyemale, or horsetail. This prehistoric plant is related to ferns, but it is not a fern and has no leaves or fronds. It reproduces by spores and spreads underground like bamboo.
“The Moon Gate, typically a feature of Chinese Gardens, was completed in 1985. When the moon gate was built it was necessary to cut the round window in the back of the machiai because it is essential to have a vista through the gate. Twice blooming Autumn Encore azaleas have been planted here. They bloom in spring and fall.
“The large lantern at the southwest entrance (near the hydrangea garden) is over 300 years old. It was donated by Minaminippon Broadcasting Co. in Kagoshima, Japan, Atlanta’s sister city, in 1963.”
lantern by the back gate
The horticultural staff maintains the Japanese garden, contracting out a few chores. For example, the gate to the tea house was removed and sent out to repair termite damage.
Toshihira Sahara mentioned above not only ran Architectural Woodworks in Atlanta, but also served as minister for a small Japanese congregation.
Walk through the gleaming brass doors, held open by a genuinely friendly staff member, and the first thing that will catch your eye is the three story waterfall designed by Takeo Uesugi of TUA Inc. I perused the landscape architect’s site before coming here to Atlanta. You may see more of Mr. Uesugi’s work at http://www.tuainc.com/ especially in the portfolio section of the site. A little more detail on Mr. Uesugi’s life and work is available in a Wikipedia article: http://en.wikipedia.org/wiki/Takeo_Uesugi
We first became acquainted at the International Conference on Japanese Gardens Outside of Japan held in Long Beach, California, in March 2009. I have seen Mr. Uesugi’s work in Long Beach, San Diego, Pasadena, Los Angeles, and Malibu, but this was my first visit to one of his garden designs outside of California. This garden opened with the hotel in 1990 when it was the Hotel Nikko. Hyatt purchased the property in 1997 and put $5.6 million in to renovations in 2000.
The waterfall at the Grand Hyatt Atlanta is visible from the lobby, the Onyx Bar, the Cassis restaurant on a level lower than the lobby, from windows in a hallway connecting the elevators on the third floor to the pool area, from the pool area and a veranda outside the elevator area on the third floor and from several rooms facing that side of the hotel. It drops from a flat area that includes a small garden with several typical features: trimmed shrubs, tsukubai, bamboo thicket, machiai, dry stream bed, and well arranged stone work.
The waterfall cascades from the third floor pool level, divides in two and lands in a pool with a rock beach on a small island with a maple and a lantern set in the pond. The pond is surrounded by plantings of pine, azalea and bamboo.
View from the third floor veranda at the top of the falls, looking toward the table from which the previous image was taken.
The view immediately to the right of the previous image: The third floor veranda leads to one entry to the small garden. The other entry is from the pool side refreshment area.
Update 2016: It is with deep sadness that we report Takeo Uesugi died 26 January 2016 at his home in California following a battle with cancer. He was 75 years of age. A link to an obituary in the Los Angeles Times listing his many achievements follows. Our heartfelt condolences to his family and coworkers.
U.S. Japanese Gardens 
