New Orleans

A little something for the railroad fans

Some of our readers have asked for a little detail on our railroad adventure: what lines we rode, what the stations were like, how was the food and who got the upper berth.

There is no way my husband and I could have made this trip from Atlanta to the San Francisco Bay area if it were not for Amtrak. The same trip by air would have been prohibitively expensive and not nearly as enjoyable.

Everywhere we went, we reveled in the anxiety-free wonder of looking out large windows at the cityscapes and countryside. It’s no wonder that the Amtrak motto is “Change the Way You See the World.”

On the wall of the Grand Junction, Colorado, station is a small sampling of Amtrak posters offering guided train tours.

On every train, we found engaging and delightful conversation with a wide range of fellow travelers from Switzerland, Canada, China, Australia, Holland, France, and so many states that I’ve lost count. Families were traveling with their children and grandchildren. Businesspeople were going to work or coming home from conferences. Young couples were honeymooning, older couples were celebrating wedding anniversaries. All in all a wonderful mix.

Our first train station in Atlanta, Georgia, still had the comfortable old style curved wooden benches with tall globe lamps.

Baggage allotment is similar to that of airplanes in size and weight of luggage to be checked — and we had to do some quick switching to get the large red suitcase lighter by moving several one-pound bags of Hilo Coffee Mill whole bean coffee to the smaller purple suitcase. Giving away omiyage as we went from garden to garden plus mailing home packages of books and gifts purchased kept us at the proper check in weight.

Our first train — #19 on The Crescent Line — arrives in Atlanta to take us to Birmingham, Alabama.

On some legs of this journey, we reserved coach seats. The ride from Atlanta, GA, to Birmingham, AL, had a delayed departure due to a live wire on the tracks somewhere in Virginia, but once underway, proceeded uneventfully. The Crescent Line begins in New York and goes to New Orleans. We quickly learned why our fellow coach passengers traveled with blankets. The AC was cranked up and it was COLD inside that car. Thank goodness for jackets and sweaters.

close-up detail of wire, rock and metal slat combination used to create benches in Railroad Park, Birmingham, AL

Railroad Park in downtown Birmingham, Alabama, a few blocks from the Amtrak station, is full of wide open spaces used by walkers, joggers, symphony performances and yoga classes, to name a few. It was a featured stop on the Birmingham Botanical Garden’s Leaf and Petal Glorious Gardens tour.

The Crescent Line continued from Birmingham, AL, to New Orleans, LA, a day-long trip for which we booked a roomette. I napped in the upper berth using both mattresses as Bill stayed seated upright in the seats below giving him a chance to wander around to the lounge and dining car. This line had some older equipment so our roomette featured a sink and toilet. Shower was down the hall. Seats were wide, roomy and comfortable. In this sleeping car, roomettes lined one side of the car with a narrow windowed aisle on the other side.

poster for the Crescent Line — loved the graphics throughout this journey

The New Orleans, Louisiana, train station features some of the most amazing frescoes I’ve seen in a long time. The New Orleans Union Passenger Terminal (NOUPT) was designed in 1949 and opened in 1954 at which time it was considered an ultra-modern facility.

Featured are 120 feet (2,166 square feet) of murals depicting New Orleans and Louisiana history painted by Conrad A. Albrizio with the assistance of James Fisher. Albrizio was a renown art professor at Louisiana State University. The murals in four parts depict the ages of exploration, colonization, conflict and the modern age. The murals were restored after Hurricane Katrina.

For more information on New Orleans’ railroad history dating back to 1831, see the Amtrak link: http://www.greatamericanstations.com/Stations/NOL/Station_view

one section of the colonization panel

one section of the exploration panel

New Orleans is served by three lines: Crescent, City of New Orleans with service to Chicago, and Sunset Limited with service to Los Angeles. Our next leg of the journey would be aboard the Sunset Limited which used to go all the way from Los Angeles to Orlando, Florida but the section of track beyond New Orleans has yet to be replaced after Hurricane Katrina. Our train left New Orleans before noon and arrived in San Antonio, Texas in the middle of the night.

one version of the Sunset Limited poster

From San Antonio to Chicago, with several stops along the way, we were aboard the Texas Eagle. Sometimes we were in coach. For the long leg from Fort Worth, TX, to St. Louis, MO, we were in another roomette, this one in newer equipment that featured roomettes on both sides of a central aisle.

K.T.’s window seat in coach with plenty of leg and elbow room, loads of space for carry-on baggage above plus beneath seats. Note the different color tags stuck in a rail indicating to the conductor that passenger’s stop.

Bill enjoys the view from the large windows in this typical roomette. The upper berth drops down to just above the top edge of the window — still plenty of headroom for the person in the lower seat, but the upper berth in some sleeping cars can be rather close to the ceiling of the car.

Categories: Alabama, Amtrak, Atlanta, Birmingham, California, Chicago, Georgia, Illinois, Louisiana, New Orleans, San Antonio, San Francisco, Texas | Tags: , | 6 Comments

Yakumo Nihon Teien in City Park, New Orleans

Michael Mitchell, the new president of the Japanese Garden Foundation of New Orleans and his wife Tina graciously served as our guides to Yakumo Nihon Teien, the Japanese garden in City Park designed by Robin Tanner.

“In a Japanese Garden”
By Lafcadio Hearn

“No effort to create an impossible or pure ideal landscape is made in the Japanese Garden. Its artistic purpose is to copy faithfully the veritable landscape, and to convey the real impression that a real landscape communicates. It is therefore at once a picture and a poem; perhaps even more a poem than a picture. For as nature’s scenery, in its varying aspects, affects us with sensations of joy or solemnity, of grimness or of sweetness, of force or of peace, so must the true reflection of it in the labor of the landscape gardener create not merely an impression of beauty, but a mood in the soul.”

Excerpted from:
The Atlantic Monthly
Volume 70, Issue 417
July 1892

Lafcadio Hearn (Koizumi Yakumo) and his wife Koizumi Setsu

In the midst of 1,300 acres in New Orleans’ City Park is Yakumo Nihon Teien, a garden that celebrates an important connection between New Orleans and her sister city Matsue City in Japan. Yakumo refers to Lafcadio Hearn, a writer who lived in New Orleans from 1877 to 1886 and whose house on Cleveland Avenue remains a registered historic place. In writing about New Orleans, Hearn brought to national attention the city’s Creole population and distinctive cuisine, Louisiana voodoo, and the French Opera.

Hern was sent to Japan in 1890 as a newspaper correspondent. During the summer of 1890, he obtained a teaching position at a middle school in Matsue, a town in Shimane Prefecture in western Japan on the seacoast. During the 15 months there, he married Koizumi Setsu. Late the following year, he obtained another teaching position in Kumamoto and during the next three years completed Glimpses of Unfamiliar Japan.

In 1896 after accepting a position teaching English literature at Tokyo Imperial University, he became a naturalized Japanese citizen and assumed the name Koizumi Yakumo. He continued teaching and writing in Japan until shortly before his untimely death at the age of 54 in 1904. He is considered a national treasure in Japan.

There are other Japan-New Orleans connections. “The first Japanese consulate outside of New York was in New Orleans starting in the 1920s. After Hurricane Katrina, it moved to Nashville,” said Mike Mitchell, new president of the Japanese Garden Foundation.

Barrier-free access is along this entry with a carefully pruned bamboo thicket.

The dream of the Japanese Garden Foundation of New Orleans, starting back in1985, came into being with the opening dedication of the first increment of this garden in July 2005. When Hurricane Katrina hit a month later, everything was under more than a foot of water and many of the plants were lost in the flood. Major stonework and other physical elements sustained no major damage and the garden was quickly restored with the addition of a machiai, a small structure with a bench that offers a wonderful view. The garden had a grand re-opening in 2007.

view from a bench in the machiai

The garden was recently expanded, doubling its size. A wisteria arbor, stone pathways, and more fencing were added. Another expansion is hoped for in the future when an adjacent park administration building relocates to new quarters. “Future expansion would allow for a water feature,” Mitchell said.

“It’s not a big and splashy garden,” Mitchell said. “It’s contemplative.

Significant stones used in this garden were selected at the quarry in Tennessee and hauled by landscape architect Robin Tanner.

Robin Tanner, garden designer, is now at work on a book outlining the peaceful, contemplative nature of gardens.

“We couldn’t make this as beautiful as it is without the help of dedicated volunteers,” Mitchell said. “Daily maintenance is the key.”

Bill and I are so often wrapped up in “getting the story” and “framing the photo.” It’s important for us to sit still and enjoy the surroundings. Many thanks again and again to Mike and Tina for making that possible.

photo by Tina Mitchell

Categories: Louisiana, New Orleans | Tags: , , , , , , , , , | 2 Comments

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